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RISK: A MISTRESS OF DEATH

Ingenuous engineers, those bomb-makers. Many still are, I’d hazard. Skillful architects of death and destruction. Their damnable tenacity came with a worldview; one in which myself and my colleagues found ourselves in opposition to merely by the donning of a uniform and thereby being seen as servants of a shrinking empire. So far, so mundane. This was just another of humanity’s self-destructive conflicts; its star faintly glimmering in a universe of many.

Those times when you were told that you had been standing on a pressure-plate, or the car you were searching had been booby-trapped, or a command-wire had been broken – those times liked to snap a piece of your mind off, and hide themselves with severed foot, or the piece of a child’s hand you thought at first was a gutted fish. But those near-deaths, those times it was only the detonator exploding, they like to scrape their edges along your memory. They’re painless because they have no substance. You didn’t die, or be blown in half, because they didn’t function properly – yet neither will you. That’s one of their legacies: what they might have done to your life or limbs. The others? Well, there’s the standard replaying the incident over and over, usually with your mind telling you you died – that’s one they tuck away for empty days when you stare outside reality and stare for ages at a dead sky. One of the more interactive ‘legacies’ is the one were your mind stops telling you to flee from danger. No, it’ll happily nail you to an AK-47’s crosshairs. ‘Just stand up, let death get a good look at you,’ it’ll whisper, ‘you’ve dodged the bullet before, you can do it again.’ Just as you watched your friend(s) lying sprawled in their own blood, or questioned your mind as to how the woman with no face can make still make a screaming noise. These deaths are also promises to you of your own. Your bullet merely lies dreaming of they time of its flame-birth, of the time it will plunge into you, shattering bone into shrapnel, punching organs into pulp. Or maybe, it’s the bomb that waits to spray your blood to dust to be trodden underfoot.

So, you stop caring. You stop trying. You’re going to die – it’s inevitable, isn’t it? I mean there’s an ASU out there who’ll be bought rounds and cheered tonight as you’re being drained on a slab? So why care about living?

BECAUSE THOSE LEGACIES – THE ONES TELLING YOU SHOULD HAVE DIED LIKE YOUR FRIENDS – THEY WANT YOU TO GIVE UP. NO. WAIT. YOU WANT YOU TO GIVE UP.

All you’re doing is looking for excuses to give up. It’s easier to give up, walk away, than confront these fears. Strip away the blood-shock of their garb and that’s all that remains – FEAR. It’s a SELFISH FEAR, too. Easy for you to just stride over the edge. You don’t want to gaze back and see the damage YOU’RE DEATH will leave with YOUR loved ones and friends. Recognize these thoughts which you have brought from your past. Recognize that you are only seeing them as an EXCUSE for you behave in a COWARDLY and SELFISH WAY. One that will leave only more trauma and endless soul-searching in your wake.

DON’T YOU SEE? You DIDN’T DIE for a reason. You have become dismissive of a life that many have been brutally robbed of. Putting yourself in risk’s way was how you may have chosen to play the game when the conflict boiled around us. Death was daily then. But, YOU lived through that, many didn’t – and it is for them that we SHOULD LIVE NOW. It is for our loved ones and friends that we SHOULD LIVE NOW.

When I wrote the following poem I was very conflicted. I was at another threshold of existence; another crossroads of living or dying. But the words began to glow with a new light, one of hope, of recognizing MORE THAN JUST MYSELF. I found this key. This recognition. It was through constant writing: poetry, fiction, nonsense, anything. The words slowly started to make sense. A truth which PTSD tries to deny many began to shine onto the page, faintly at first – and it’s not a race, I’m not even halfway there, but at the same time I may be further away from suicide than ever before.

YOU MUST BEGIN TO TALK OF YOUR NEAR-DEATHS AS MUCH AS THE DEATHS OF OTHERS, OR THE HOT WIND OF THE BOMB OVER YOU. DEATH DOES NOT WANT YOU TO TALK, BUT YOU ARE STRONGER THAN DEATH – YOU READING THIS PROVES IT.

Untitled

Sometimes amongst the sepia

streets of flashback’s eternal night

simmering terror, the past fades

to ligature’s lament and blade’s

cruel intent

but, the sun rises still

in a family’s eyes

to pull me from the hell

that clings to me.

Helpful links to support organisations:

Mind.org.uk Supportline.org.uk Samaritans PTSDUK

Thank you for reading. I hope to have a new post soon.

Published by Writer of fiction about Irish terrorism and the lives it damages.

This trilogy of novels will be set during the Northern Ireland ‘Troubles’ I always wanted to read. Having changed an aspect of ancient history (Constantine chose Mithras over Christ in 312 CE) this ‘butterfly effect’ freed me of the fetters of recent history and able to craft a counter-factual novel. A tale of working-class lives caught up in the deadly maelstrom of sectarian violence. While the focus is on characterisation, ‘The Bitter End of Dreams’ explores internecine violence, as well as the beliefs and fears which drive ordinary people to murder. Young lives seduced into joining paramilitary organisations and committing terrible acts of violence. Elements such as protection rackets, and the shadow of political and religious leverage also loom within the story. While the primary religion, and some names, is different, the hatred and violence remains very real and familiar. To date, most novels on the ‘Troubles’ have been post-conflict. My novel is set during the mid 1970s and fixes its gaze firmly upon the cramped terraces from where paramilitarism entraps young people, and, subtly, oppresses communities. I recently retired after over thirty years service in the RUC and PSNI. I was exposed to a number of terrorist incidents in which colleagues and members of the public, sadly, lost their lives. My novel began as a part of therapy to manage my diagnosis of Complex PTSD. While ‘The Bitter End of Dreams’ focuses on one side of the community, a second novel will explore the opposing community. A final novel will be written from a policing perspective. I have also written a number of poems centering on the pain and grief which continues to ripple from the ‘Troubles’. During my service I have striven to understand the ideologies of both Irish and Northern Irish paramilitaries: how they justify murder and extortion. To do this I have spoken to many paramilitaries - on both sides of the conflict. I hope my novel sheds a little light upon the dark heart of religious violence; not only in terms of the Northern Ireland ‘Troubles’, but also on a global context.

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